「虞世南」に関連した動画の一覧

	唐詩詠螢虞世南Tong Poem FireFly 上古雅言九聲粵語周秦漢唐宋語  的歷流光小A Tiny flying light 飄颻弱翅輕On a pair of weak and light wings 恐畏無人識Nobody takes care of the tiny firefly 獨自暗中明But it light up the dark night 2007年08月29日再生回数 685
	Beginner's Guide to Chinese Calligraphy - Choosing Model Books (Part B) Tang Kai 唐楷HD  Free Chinese Calligraphy High Definition Videos for Absolute Beginners - Choosing Model Books (part B) Ouyang Xun's ( 歐陽詢, 欧阳询) styles and other calligraphers in the Tang Dynasty www.art-virtue.com FREE DOWNLOAD websites: www.sf108.com (registration required) http Search KEYWORDS (Traditional) 歐陽詢Ouyang Xun 虞世南Yu Shinan 褚遂良Chu Suiliang www.art-virtue.com 柳公權Liu Gongquan (Liu Gong Chuan) Search KEYWORDS (Simplified) 欧阳询虞世南褚遂良柳公权 2009年01月16日再生回数 8466
	新古典舞團《傾盃樂》宣傳影片  劉鳳學歷經一甲子的研究、探索、重建、演出及新文本的呈現，向全世界展示唐樂舞，將唐朝所涵蓋的歷史文化、時代背景、中國禮儀與美學重新展現在世人眼前。根據唐書記載，627年太宗詔太尉長孫無忌製作大曲《傾盃樂》，並由魏徵、虞世南寫詞，歲月流逝，風華絕代的唐樂舞成為紙本上的紀錄，千年後，劉鳳學博士根據珍貴舞譜、樂譜，翻譯重建唐樂舞的盛世風貌。本演出還將呈現劉鳳學唐樂舞系列多部菁華之作，包括《春鶯囀》、《蘇合香》、《團亂旋》《拔頭》等舞碼。在二十一世紀重溫唐朝輝煌華麗的歲月，《傾盃樂》領您穿越時空，凝望唐朝絕代丰采。 舞碼： 【2011新作】 唐中曲《傾盃樂》─ 唐太宗命長孫無忌作《傾盃曲》，由魏徵、虞世南寫詞，用於宮廷慶典。至唐玄宗時與《舞馬》結合為大型歌舞《傾盃樂》。 節目資訊：www.ntch.edu.tw 2011年08月18日再生回数 5322
	Original Size of Most Kai Shu Tablets in Tang Dynasty (part 1)  This is about the original size of most (not all) Chinese calligraphy tablets in Kai Shu of the Tang Dynasty ( www.art-virtue.com ). In ancient times, paper was not easy to obtain and people practiced calligraphy in smaller sizes than we do today. Many Chinese calligraphy models by famous calligraphers such as Ouyang Xun ( 歐陽詢), Yu Shi-Nan ( 虞世南) , Chu Sui-Liang ( 褚遂良) and many others were written about the size as shown in this video. 原寸 2009年03月30日再生回数 1213
	Original Size HSIN SHU characters in letters or documents used in ancient China (part 1)  These characters are an approximate size of most (not all) Chinese calligraphy semi-cursive characters used in writing letters (some of them became masterpieces of Chinese calligraphy) and documents in ancient China. 之of 善good; goodness 業deeds; career 雲cloud 花flower In ancient times, paper was not easy to obtain and people practiced Chinese calligraphy in smaller sizes than we do today. Many Chinese calligraphy models by famous calligraphers such as Wang Xizhi, Ouyang Xun ( 歐陽詢), Yu Shi-Nan ( 虞世南) , Chu Sui-Liang ( 褚遂良) and many others were written about the size as shown in this video. In cursive and semi-cursive styles, the sizes of characters in a piece are not exactly the same. Homogeneity of Chinese calligraphy cursive and semi-cursive characters in one size is considered a taboo by the Chinese people. 原寸 2009年03月31日再生回数 804
	學習書法如何入門How to start studying Chinese calligraphy (1/3)  這是《每日一題每日一字》第七集的一部份。南開大學教授田蘊章解釋如何入門。 This is a part of Episode 7 of the internet video series 《每日一題每日一字》 ("Daily Topic, Daily Character"). Tian Yunzhang, a calligraphy professor at Nankai University, talks about how to start studying Chinese calligraphy. All episodes of this series are available to stream at ent.big5.enorth.com.cn 2009年09月01日再生回数 11072
	Kai Shu Chinese Calligraphy Original Size Practice  銘曰相承故得These characters are copied from the original size Chinese calligraphy characters in the model of the Tang Dynasty. www.art-virtue.com Sample Chinese characters (not a phrase): 銘inscription; engrave 曰say 相mutually 承undertake 故hence; therefore 得get In ancient times, paper was not easy to obtain and people practiced Chinese calligraphy in smaller sizes than we do today. Many Chinese calligraphy models by famous calligraphers such as Wang Xizhi, Ouyang Xun ( 歐陽詢), Yu Shi-Nan ( 虞世南) , Chu Sui-Liang ( 褚遂良) and many others were written about the size as shown in this video. 原寸 2009年04月09日再生回数 1184
	跟我学书法4 虞体  第四讲高格典雅纯粹恬淡--虞体书风的剖析和临习上海市书法家协会副主席张晓明主讲 2009年02月08日再生回数 1074
	24/9/2011 - 蔡礼旭老师讲: 「群书治要」对现代人的啟示(上集)  2011年9月馬來西亞弘法大會－蔡礼旭老师啟講於馬來西亞綠野國際會展中心編號：55-070 共3次講演《群书治要》是唐太宗李世民(公元599年—649年) 于贞观初年令谏官魏征及虞世南等，整理历代帝王治国资政史料，撷取六经、四史、诸子百家中有关修身、齐家、治国、平天下之精要，汇编成书。上始五帝，下迄晋代，自一万四千多部、八万九千多卷古籍中，"采摭群书，剪截淫放"，于贞观五年(631年)编辑成书，计六十五部约五十余万言，取名为《群书治要》。 该书是贞观年间魏征向唐太宗进谏的重要理论依据，也可以说是唐太宗创建"贞观之治"的思想路线和施政参考。对从政者而言，该书实为修身、治国之必读宝典。 然因当时中国雕版印刷尚未发达，此书至宋初已失传，《宋史》亦不见记载。所幸者，此书经由日本遣唐使带到日本，从此被日本历代天皇及皇子、大臣奉为圭臬，成为学习研讨中华文化的一部重要经典。 1781年，也就是日本天明元年，日本用活字刊印《群书治要》，此书得以传世。 我国原驻日本大使符浩先生通过日本皇室成员获得一套天明时期出版的《群书治要》，交给陕西省黄河文化经济发展研究会，该会邀请十几位专家学者，对《群书治要》选用的65部典籍进行考证、点评，分篇今译，并进行了标点断句和勘误，集结成书，名为《群书治要考译》。 《群书治要》一书，实为中国古圣先王治国教民之集大成，其治国平天下之智慧、理念、方法、经验与成效，均是历经千万年考验所累积的宝藏结晶。作为一部中华传统文化的浓缩卷，当今许多专家学者和社会贤达认为，该书可称是"中华传统文化的精粹集成，世代治国安民的经验汇编，儒家'修、齐、治、平'的理论大纲，大唐'贞观之治'的施政指南，当今领导干部的从政参考，构建和谐社会的必备读本"。 2012年01月06日再生回数 651
	跟我学书法4 虞体1  第四讲高格典雅纯粹恬淡--虞体书风的剖析和临习上海市书法家协会副主席张晓明主讲鹤心冲霄www.zxmsf.cn 2009年03月18日再生回数 1439