「Andre Charlot」に関連した動画の一覧 |
 | The Andre Charlot Girls A Re-Imagination 1930 2007年08月16日再生回数 2483 |
 | Revue stars Beatrice Lillie & Lupino Lane in Andre Charlot's "Please" 1933 2011年10月16日再生回数 196 |
 | "French as she is Learnt" Spoken by Andre Charlot et al , (Sketch record C 1935) Strange language school sketch by Andre Charlot 2011年09月02日再生回数 35 |
 | "Atmospherics" spoken by Andre Charlot, Reg Cooper Humourous Radio Based Sketch Strange music Hall type performance c 1935 based on radio stations in the 1930's 2011年09月02日再生回数 24 |
 | Revue stars Binnie Hale & Stanley Lupino in Andre Charlot's "Puppets" 1924 2011年10月16日再生回数 60 |
 | 1924 Ballet Mecanique Mix Dadaism, Man Ray [cinematographer], Fernand Leger and Dudley Murphy [directors], and a music score by Andre Charlot [added later] yielding a fantastic 11 visual minutes. The airplane propellers were actually large electric fans, into which musicians would insert object such as wooden poles or leather straps to create sound, since the fans don't make much noise. In the Paris performances, beginning in June 1926, the fans were pointed up at the ceiling. However, at the Carnegie Hall premiere on April 10, 1927, the fans were positioned to blow into the audience, upsetting the patrons. en.wikipedia.org 2012年01月29日再生回数 88 |
 | Bea Beatrice Lillie "Now's the Time" First Recording Restored West End British Musical Charlot John Culme's post from his great site of period musical recordings Footlightnotes.com of this inspired me to update my remastering of this very first 78 Bea Lillie ever recorded, circa 1915. While not as modern in performance as the cleaned "Shoot the Rabbit" from two years later, it's still startling to hear her teenage energy flying out of a recording made during World War I. The photo is from a later radio session; standing behind her is Paul Whiteman, who was the catalyst for mainstreaming jazz in the 20s and Gershwin's classical turn in his career. 2010年05月31日再生回数 2395 |
 | Jim Hession/ Limehouse Blues/ Stride www.artistopia.com This 1920's piano solo is most often heard as a Dixieland band feature. Jim rediscovers this wonderful piece by capturing the era sound in a piano solo that includes the verse. Originally a British import, it was Fred and Adele Astaire that brought this piece to life on the American stage.This piece was written in 1922 by Philip Braham and Douglas Furber for the Andre Charlot Review of 1924 in England. By the end of 1924 the popularity of this tune had reached the Broadway lights of New York. This was filmed on Jan.9,2008 at the National Historical Jazz Park in the French Quarter. The jazz park is dedicated to the preservation of America's natural resources, including America's own music, JAZZ, in all its shapes and forms and varieties. We invite you to come to America's historical musical city for an experience you will never forget. We await you! 2008年03月20日再生回数 1871 |
 | Gertrude Lawrence sings Gershwin "DO-DO-DO" (1926) DO-DO-DO sung by Gertrude Lawrence From the Broadway Musical "Oh Kay" Music by George Gershwin Words by Ira Gershwin Piano accompaniment by Tom Waring Recorded October 29, 1926 Gertrude Lawrence was born July 4, 1898 in London, England. She died September 6, 1952 in New York, NY. Singing star of Broadway musicals after performing in English music halls and theatres. Talented singer, dancer and actress; glamorous, vital, extravagant personality. As youngster entertained in English pubs and music halls, eventually worked as a chorus girl and understudy to Beatrice Lillie in London show. Broadway debut in Andre Charlot "Revue of 1924" and "Revue of 1925". Both shows from England with English casts. Starred in important musical "Oh, Kay!" (1926). Top New York spots 1927 including Paramount Theatre. Starred in "Treasure Girl" (1928), in play, "Candlelight" (1929) and musical "International Revue" (1930). Co-starred with playwright, Noel Coward in important play, "Private Lives" (1931), later in "Tonight at 8:30" (1936);. Later plays included "Susan and God" (1937), "Skylark" (1939), "Pygmalion" revival (1945), "Tonight at 8:30" revival (1948). Biggest roles in Broadway musicals"Lady in the Dark" (1941) and "The King and I" (1951). In movies "Battle of Paris" (1929), "No Funny Business" (1933), "Rembrandt and Mimi" (1936), "Men Are Not Gods" (1937), "The Glass Menagerie" (1950). During World War II entertained troops in US and abroad. 1968 movie "Star!" based on Lawrence life ... 2009年03月10日再生回数 27499 |
 | The High Hatters Orchestra, Irene Bordoni vocal - You Can't Believe My Eyes (1929) The High Hatters was a recording pseudonym for an in-house Victor Talking Machine Company studio orchestra led by Leonard Joy. I know that he also led the orchestra behind Helen Kane, but I can't find informations about him and his live. -------------------------- Irène Bordoni (Jan.16,1885 - March 19,1953) was a French singer and a Broadway and film actress. Born in Ajaccio, Corsica, France from Italian family she had been a child actor, performing in Paris on stage and in silent films for a few years, having signed with theatrical agent André Charlot.Bordoni made her first appearance on the stage at the age of thirteen, at the Variétés, Paris. She came to the United States on December 28, 1907, in steerage, on the SS La Provence. Bordoni's year of birth is given in standard theatrical biographies as 1895, that is, a decade after her actual birth year of 1885. She was 22 when she arrived in the United States in 1907. She went first to Reno, Nevada, where her father Antonio had settled previously. Bordoni made her Broadway debut in a Shubert brothers production of Broadway to Paris at the Winter Garden Theatre and was a successor to Anna Held as Broadway's idea of French piquancy and Continental flavor. She was in Miss Information (1915) and successive productions of Hitchy-Koo (1917 and 1918). 1919 audiences saw Bordoni in Sleeping Partners co-starring with HB Warner at the Bijou. In 1920 her "captivating voice and presence" graced As You Were at the Central Theater. She ... 2010年08月19日再生回数 1102 |
