「Grigori Kozintsev」に関連した動画の一覧 |
 | Hamlet (1964) - Grigori Kozintsev - Clip 1 www.mrbongo.com The surface of ceremonies and rituals celebrating the coronation of King Claudius (Mikhail Nazvanov) and his marriage to Hamlet's mother (Elza Radzina) leaves the young prince indifferent. Hamlet's melancholic nature finds no relief from his brooding, not even in his courtship of Ophelia (Anastasiya Vertinskaya). However, a nocturnal visit from his father's ghost changes everything. Claudius' treachery having been brought to light, Hamlet conducts a quest to avenge his father's death. Grigori Kozintsev's renowned Soviet production ranks among the finest adaptations of Shakespeare on film. His strong visual style places the characters on a rich widescreen canvas while preserving the inward dimension of Hamlet's character. Laurence Olivier, director and star of Hamlet, the Oscar-winning 1948 English production, praised Kozintsev's Hamlet, singling out Innokenty Smoktunevsky's performance as the definitive screen performance of the Prince of Denmark. A spectacle...a large, mobile, realistic rendering of the melodramatic action of the play that depends entirely for its impact upon its striking scenery, the physical sweep of its performance and the grand effects that the camera achieves -- New York Times Kozintsev has thought his interpretation right through to the end with complete consistency, and gives the film a genuinely exciting epic sweep...There's a genuine cinematic imagination at work here -- Time Out 2011年09月14日再生回数 5410 |
 | Hamlet (1964) - Grigori Kozintsev - Clip 3 www.mrbongo.com The surface of ceremonies and rituals celebrating the coronation of King Claudius (Mikhail Nazvanov) and his marriage to Hamlet's mother (Elza Radzina) leaves the young prince indifferent. Hamlet's melancholic nature finds no relief from his brooding, not even in his courtship of Ophelia (Anastasiya Vertinskaya). However, a nocturnal visit from his father's ghost changes everything. Claudius' treachery having been brought to light, Hamlet conducts a quest to avenge his father's death. Grigori Kozintsev's renowned Soviet production ranks among the finest adaptations of Shakespeare on film. His strong visual style places the characters on a rich widescreen canvas while preserving the inward dimension of Hamlet's character. Laurence Olivier, director and star of Hamlet, the Oscar-winning 1948 English production, praised Kozintsev's Hamlet, singling out Innokenty Smoktunevsky's performance as the definitive screen performance of the Prince of Denmark. A spectacle...a large, mobile, realistic rendering of the melodramatic action of the play that depends entirely for its impact upon its striking scenery, the physical sweep of its performance and the grand effects that the camera achieves -- New York Times Kozintsev has thought his interpretation right through to the end with complete consistency, and gives the film a genuinely exciting epic sweep...There's a genuine cinematic imagination at work here -- Time Out 2011年09月14日再生回数 4108 |
 | King Lear (1971) - Grigori Kozintsev - Clip 2 www.mrbongo.com King Lear of England (Jüri Järvet) retires from his throne of power. His decision to divide his kingdom among his elder daughters, over the warnings of his youngest Cordelia (Valentina Shendrikova), sparks off a chain of events that engulfs the entire countryside. Lear's final days are marked by dissension, internecine conflict and terrible violence. Humiliated and banished by his daughters, the King wanders the countryside like a beggar, accompanied by his Fool and a few faithful servants. Driven mad by despair, Lear's megalomania consumes him to the point of blindness. One of William Shakespeare's darkest works, King Lear receives vivid expression in this esteemed Russian rendition. The film's use of widescreen and its stark black-and-white cinematography provide an expansive cinematic dimension to the tragedy. Working with a translation from Nobel Laureate Boris Pasternak, Grigori Kozintsev in the final film of his career, fashions a fitting twilight work; achieving in this harsh tale of mortality and power, a tranquility in form and assurance of vision. Tone and text are interwoven with an artist's eye and a poet's ear....a strong contender for the greatest adaptation of Shakespeare's greatest play -- Film4 A commanding title performance by Estonian actor Yuri Yarvet, some striking landscape imagery, and Dmitri Shostakovich's anguished score help make for a spirited adaptation -- BBC 2011年09月14日再生回数 1186 |
 | Hamlet (1964) - Grigori Kozintsev - Clip 2 www.mrbongo.com The surface of ceremonies and rituals celebrating the coronation of King Claudius (Mikhail Nazvanov) and his marriage to Hamlet's mother (Elza Radzina) leaves the young prince indifferent. Hamlet's melancholic nature finds no relief from his brooding, not even in his courtship of Ophelia (Anastasiya Vertinskaya). However, a nocturnal visit from his father's ghost changes everything. Claudius' treachery having been brought to light, Hamlet conducts a quest to avenge his father's death. Grigori Kozintsev's renowned Soviet production ranks among the finest adaptations of Shakespeare on film. His strong visual style places the characters on a rich widescreen canvas while preserving the inward dimension of Hamlet's character. Laurence Olivier, director and star of Hamlet, the Oscar-winning 1948 English production, praised Kozintsev's Hamlet, singling out Innokenty Smoktunevsky's performance as the definitive screen performance of the Prince of Denmark. A spectacle...a large, mobile, realistic rendering of the melodramatic action of the play that depends entirely for its impact upon its striking scenery, the physical sweep of its performance and the grand effects that the camera achieves -- New York Times Kozintsev has thought his interpretation right through to the end with complete consistency, and gives the film a genuinely exciting epic sweep...There's a genuine cinematic imagination at work here -- Time Out 2011年09月14日再生回数 2616 |
 | King Lear (1971) - Grigori Kozintsev - Clip 3 www.mrbongo.com King Lear of England (Jüri Järvet) retires from his throne of power. His decision to divide his kingdom among his elder daughters, over the warnings of his youngest Cordelia (Valentina Shendrikova), sparks off a chain of events that engulfs the entire countryside. Lear's final days are marked by dissension, internecine conflict and terrible violence. Humiliated and banished by his daughters, the King wanders the countryside like a beggar, accompanied by his Fool and a few faithful servants. Driven mad by despair, Lear's megalomania consumes him to the point of blindness. One of William Shakespeare's darkest works, King Lear receives vivid expression in this esteemed Russian rendition. The film's use of widescreen and its stark black-and-white cinematography provide an expansive cinematic dimension to the tragedy. Working with a translation from Nobel Laureate Boris Pasternak, Grigori Kozintsev in the final film of his career, fashions a fitting twilight work; achieving in this harsh tale of mortality and power, a tranquility in form and assurance of vision. Tone and text are interwoven with an artist's eye and a poet's ear....a strong contender for the greatest adaptation of Shakespeare's greatest play -- Film4 A commanding title performance by Estonian actor Yuri Yarvet, some striking landscape imagery, and Dmitri Shostakovich's anguished score help make for a spirited adaptation -- BBC 2011年09月14日再生回数 1010 |
 | King Lear (1971) - Grigori Kozintsev - Clip 1 www.mrbongo.com King Lear of England (Jüri Järvet) retires from his throne of power. His decision to divide his kingdom among his elder daughters, over the warnings of his youngest Cordelia (Valentina Shendrikova), sparks off a chain of events that engulfs the entire countryside. Lear's final days are marked by dissension, internecine conflict and terrible violence. Humiliated and banished by his daughters, the King wanders the countryside like a beggar, accompanied by his Fool and a few faithful servants. Driven mad by despair, Lear's megalomania consumes him to the point of blindness. One of William Shakespeare's darkest works, King Lear receives vivid expression in this esteemed Russian rendition. The film's use of widescreen and its stark black-and-white cinematography provide an expansive cinematic dimension to the tragedy. Working with a translation from Nobel Laureate Boris Pasternak, Grigori Kozintsev in the final film of his career, fashions a fitting twilight work; achieving in this harsh tale of mortality and power, a tranquility in form and assurance of vision. Tone and text are interwoven with an artist's eye and a poet's ear....a strong contender for the greatest adaptation of Shakespeare's greatest play -- Film4 A commanding title performance by Estonian actor Yuri Yarvet, some striking landscape imagery, and Dmitri Shostakovich's anguished score help make for a spirited adaptation -- BBC 2011年09月14日再生回数 2309 |
 | The Overcoat ("Шинель") (1926) - 1/7 A Soviet silent film directed by Grigori Kozintsev and Leonid Trauberg. Part 1 of 7. 2008年11月29日再生回数 12661 |
 | The Overcoat ("Шинель") (1926) - 2/7 A Soviet silent film directed by Grigori Kozintsev and Leonid Trauberg. Part 2 of 7. 2008年11月30日再生回数 2314 |
 | The Overcoat ("Шинель") (1926) - 3/7 A Soviet silent film directed by Grigori Kozintsev and Leonid Trauberg. Part 3 of 7. 2008年11月30日再生回数 1444 |
 | The Overcoat ("Шинель") (1926) - 4/7 A Soviet silent film directed by Grigori Kozintsev and Leonid Trauberg. Part 4 of 7. 2008年11月30日再生回数 1643 |
