「Hypertable」に関連した動画の一覧 |
 | 8=8 // 8=8=Concert=Performance=Demo 8=8 is a group of 4 programmers = 4 composers = 4 VJs = 4 musicians = 4 artists. All four bring their own programming, visual and musical sensibilities to a collective instrument, the Abstract Machine Hypertable. By moving one's hands over the surface of the Hypertable, images and sounds are generated, creating a unique opportunity for musical improvisation. 8=8 uses the Hypertable to perform singular programs/instruments in a concert=performance=demo context. // 8=8=Program All programs are generated by the members of 8=8. There is no distinction between performer = musician = artist = programmer. All members have been exploring computer programming as an artistic medium for several years, notably through collaborative research at the Atelier Hypermedia (hypermedia.loeil.org). 8=8=Instrument Although the Hypertable was originally designed as an interface for algorithmic cinema, 8=8 quickly discovered its musical potential as an instrument. Each program is essentially an entire visual and musical software/instrument in and of itself. Some of the programs allow for direct manipulation of pre-recorded samples, other instruments generate sounds on-the-fly, while still others combine these two notions with the idea of composition taking place in real-time, on the surface of the table, and in front of the public. Some compositions=programs=instruments are visually baroque, others are on the contary are minimalist. All work off the principle that ... 2006年05月25日再生回数 14486 |
 | Concrescence Concrescence is a platform for the exploration of algorithmic cinema. It combines a physical apparatus with a non-linear, non-random, generative film software that can spread itself across the entire surface and adapt itself to any number of people interacting with it. Although the system is highly reactive, it also allows for a passive form of interaction in which the narration generates its own propositions, with the viewers hand only occasionaly guiding the narrative whenever it becomes uninterresting. For more information: www.abstractmachine.net 2006年11月17日再生回数 592 |
 | Distribution model and hyper table - part 1/2 One of the exercises for Software for Management, it build on prior video www.youtube.com to create a simple distibution model and use the hyper table 2011年10月22日再生回数 692 |
 | Hypertable Graphical Browser Short video on using the Hypertable JDBC Driver with the SQLWorkBench/J graphical browser to view and manipulate data in Hypertable. See hokiesuns.blogspot.com for more details. 2010年08月29日再生回数 259 |
 | Distribution model and hyper table - part 2/2 One of the exercises for Software for Management, it build on prior video to create a simple distribution model and use the hyper table 2011年10月23日再生回数 494 |
 | The Signal "The Signal" is a unique audiovisual narrative, designed specifically for the Abstract Machine Hypertable. It maps the mysterious chain of infections that led to a poorly documented telepathic virus that spread throughout the United States of America in a historical period not so far removed from our own. Traces of this virus have been found in the strangest of milieu : in communications technologies, via teenager rituals, in mass media and advertising, through irrigation systems, in sound recordings, in political propaganda and urban myth paranoia, in sociological experiments, etc. "The Signal" charts the virus' growth across the map of the United States, allowing the Hypertable to transform itself into a sort of war map, overlooking the spread of the contagion. From a purely technological point of view, The Signal is a unique algorithmic cinema experiment. Over 10000 video shots were culled from public archives, treated and injected into the Concrescence development software. A narration was added to each image, giving its context in relation to the story. Each image contains its own diegetic sound track, but is accompagnied by narration whenever possible (the program avoids cacaphony by singling out only related narrative information, and tries to give pause between each utterance). One all this data had been entered into the database, the software was then used to literally "teach" the computer the non-linear narrative relationships between the images. This allows the ... 2006年06月15日再生回数 3750 |
 | Objets orientés objet (workshop) Douglas Edric Stanley + students of the Post Grade Nouveaux Médias, Haute école d'arts appliqués. This workshop with post-graduate students of the HEAA Genève explored new uses for the « Abstractmachine Hypertable ». This platform was designed to be quickly deployed and programmable using standard graphical programming tools. On the first day, participants were taught the basics of graphical programming and on the second day were experimenting directly onto the table itself. The projects, in order of appearance are by Pierre-Erick Lefebvre, Douglas Edric Stanley + Pierre-Erick Lefebvre, Jana Korcjomkina, Pierre Rossel (2 projects) and Baptiste Coulon (2 projects). 2006年11月20日再生回数 1615 |
 | Minecraft - Note block annoyance machine Quite annoying. I made this when I was trying to figure out how to make note block songs loop. Also if you are looking at the tags, all the non-related ones are random ones that youtube wrongly suggested :-P 2011年05月16日再生回数 2381 |
 | Table tennis Will Nash is an artist working across a range of media from large-scale steel sculptures to complex interactive projects involving members of the public. For last years Vintage at Goodwood festival Will Nash worked with volunteers and visitors to the festival on a huge sprawling Buckminster Fuller inspired sculpture consisting of over 38000 pieces of Meccano. For Vintage at Southbank he has devised Exhibition Match, inviting Artists to come together for a Table Tennis Mash-up. Will's customized table tennis table will use Piezo Electric Transducers to capture vibrations generated by the games played upon it, these vibrations will be amplified and broadcast back into the game, "the objective is a hyper-table tennis experience". 2011年07月26日再生回数 199 |
 | Exhibition Match Vintage Southbank Will Nash is an artist working across a range of media from large-scale steel sculptures to complex interactive projects involving members of the public. For Vintage at Southbank he has devised Exhibition Match, inviting Artists to come together for a Table Tennis Mash-up. Will's customized table tennis table uses Piezo Electric Transducers to capture vibrations generated by the games played upon it, these vibrations are run through effects pedals, amplified and broadcast back into the game, "the objective is a hyper-table tennis experience". www.willnash.co.uk 2011年08月05日再生回数 169 |
