「Luis Dumar」に関連した動画の一覧 |
 | lo que en realidad paso (volviendo alos videos)7° es la ultima vez que veran esta intro :awwwyeah: 2012年05月27日再生回数 3 |
 | Salomé (1923) 15 - Epilogue Epilogue - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Greek text -- Byzantine Kontakion: He parthenos semeron; ton hyperousion tiktei The Virgin today gives birth to the Almighty Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of ... 2011年02月20日再生回数 585 |
 | Salomé (1923): chapter 10 - Salomé's Dance Salomé's Dance - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Hebrew text - Psalm 1, v3: v'hayah ke'etz shatul al-palgei mayim asher piryo yiten be'ito And he shall be like a tree planted by the rivers of water, that bringeth forth his fruit in his season Inspired by early fragments of ... 2011年02月20日再生回数 1991 |
 | Salomé (1923): chapter 1 - Prologue (Psalm 1) Prologue (Psalm 1) - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Hebrew text - Psalm 1, v1: ashrei-ha'ish asher lo halakh ba'atzat resha'im Blessed is the man that walketh not in the counsel of the ungodly NB video starts with black screen Inspired by early fragments of music from Judea ... 2011年02月19日再生回数 1780 |
 | Salomé (1923): chapter 4 - Bring Forth This Prophet Bring Forth This Prophet - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of percussion instruments and voices. Dominated by an assortment of drums, tambourines, castanets and cymbals, the ... 2011年02月19日再生回数 548 |
 | Salomé (1923): chapter 3 - Night Garden (part 1) Night Garden (1) - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Hebrew text -- Psalm 1, v7: ki-yode'a Adonai derekh tzaddikim For the Lord knoweth the way of the righteous Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of percussion ... 2011年02月19日再生回数 637 |
 | Salomé (1923): chapter 2 - How Strange the Moon Appears How Strange the Moon Appears - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Latin text -- Psalm 1, v2: et in lege eius meditabitur die ac nocte And in his law doth he meditate day and night Inspired by early fragments of music from Judea and Syria, this version of Salomé features an ... 2011年02月19日再生回数 579 |
 | Salomé (1923): chapter 9 - A Garland of Roses Like Fire A garland of Roses Like Fire - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of percussion instruments and voices. Dominated by an assortment of drums, tambourines, castanets and cymbals ... 2011年02月20日再生回数 306 |
 | Salomé (1923) 13 - A Garden of Myrrh A Garden of Myrrh - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of percussion instruments and voices. Dominated by an assortment of drums, tambourines, castanets and cymbals, the ... 2011年02月20日再生回数 283 |
 | Salomé (1923) chapter 8 - Stars Shall Fall Like Ripe Figs Stars Shall Fall Like Ripe Figs - - fromCharlie Barber's score for percussion and voices featuring the 1923 film starring Alla Nazimova Salomé (1923) is a rarely seen curiosity from the silent era of film. Based on an idea of artist and Hollywood 1920s bohemian Natacha Rambova, the film was produced by and starred the flamboyant Russian actress, Alla Nazimova and directed by Charles Bryant. Nazimova's intention was to produce a piece of work that would raise the artistic levels of American film. Filmed in 1923, it might be considered one of the first 'arthouse' films to be made. An adaptation of Oscar Wilde's play of the same name, it has, like the play, always been surrounded by controversy. Before it had even been completed rumours took hold that Nazimova had demanded an all gay and bi-sexual cast in homage to the playwright. Adding to its notoriety is the film's undoubted aura of loaded eroticism, heightened by the melodramatic, highly stylised performances of the cast. The film's visual imagery matched the illustrations made by Aubrey Beardsley and was in black and white only, having just some metallic details as accents that would thus reflect the light. As one critic commented, it is "more like a bizarre Art Nouveau-inspired erotic dream than a piece of cinema". Inspired by early fragments of music from Judea and Syria, this version of Salomé features an array of percussion instruments and voices. Dominated by an assortment of drums, tambourines, castanets and ... 2011年02月20日再生回数 375 |
