「W-SCORE」に関連した動画の一覧

	Schoenberg: Pierrot Lunaire, w/ score - 1ste Teil  Schoenberg's early masterpiece "Pierrot Lunaire," with the score; this is the first set of seven songs. Christine Schäfer performs with Pierre Boulez and the EIC. Apologies for the delay in this part relative to the other two; youtube is being a bit wonky, as usual. 2010年08月24日再生回数 80454
	W-SCORE - Ride On Time  W-SCORE 2007年リリースシングル 2009年02月06日再生回数 5873
	Babbitt: Semi-Simple Variations, w/ score  In honor of the birthday of the composer, who would have been 95 today -- score video for Babbitt's delightful Semi-Simple Variations, played here by Robert Taub. 2011年05月11日再生回数 3343
	Machaut: Messe de Nostre Dame [w/ score - part 1 of 4]  Performers: Marcel Pérès/Ensemble Organum. 1st part : Kyrie. Part 2: www.youtube.com Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by the French poet, composer and cleric Guillaume de Machaut (circa 1300-1377). One of the great masterpieces of medieval music and of all religious music, it is the earliest complete setting of the Ordinary of the Mass attributable to a single composer. Structure: The Messe de Nostre Dame consists of 5 movements, the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. Machaut's Messe de Nostre Dame is for four voices rather than the more common three. Machaut added a contratenor voice that moved in the same low range as the tenor, sometimes replacing it as the lowest voice. Unification In the liturgy of the Mass, the items of the Ordinary are not performed consecutively, but are separated from one another by prayers and chants. Machaut's unification of these items into an artistic whole is the earliest instance of a Mass Ordinary setting that is stylistically coherent and was also conceived as a unit. This gesture imposed on the Ordinary a previously unconsidered abstract artistic idea, and potentially influenced composers ... 2010年07月24日再生回数 65965
	Ferneyhough: String Quartet No 3 w/ score -- Movement 1/2  Audio + score of Brian Ferneyhough's third string quartet, written in 1987 and played here by the indefatigable Arditti Quartet. This is the first of two movements. The composer explains the work thus in an interview: "As far as I am aware, the things I have been doing follow directly out of what I had concerned myself with immediately before leaving Europe, in particular the matter of the musical object and its processural manifestation. "... [discussion of La Chute D'Icare and Kurze Schatten II]... "My Third String Quartet addresses this object/process dichotomy perhaps even more extremely, in that the two movements stand starkly opposed, unmediated, one of them essentially composed of a series of more or less well-defined objects continually being recombined, the other a totally linear, process-oriented mirror image of the first in which transformation comes much more clearly to the fore. Despite the vast gulf which separates them, both movements have their origin in one and the same pre-compositional dispositions of periodic, metric and rhythmic patterns." 2010年09月10日再生回数 10008
	Josquin: Missa Pange Lingua [w/ score - 1/4]  Part 1: Kyrie • Gloria. Performed by the Ensemble Clément Janequin. The Missa Pange lingua is a musical setting of the Ordinary of the Mass by Franco-Flemish composer Josquin des Prez, probably dating from around 1515, near the end of his life. Most likely his last mass, it is an extended fantasia on the Pange Lingua hymn, and is one of Josquin's most famous mass settings. The Missa Pange lingua is considered to be Josquin's last mass.[1] It was not available to Ottaviano Petrucci for his 1514 collection of Josquin's masses, the third and last of the set; additionally, the mass contains references to other late works such as the Missa de Beata Virgine and the Missa Sine nomine. It was not formally published until 1539 (by Hans Ott, in Nuremberg), although manuscript sources dating from Josquin's lifetime contain the work.[2] Famous copyist Pierre Alamire included this mass at the beginning of one of his two compilations of masses by Josquin.[3] The hymn on which the mass is based is the famous Pange Lingua gloriosi, by Thomas Aquinas, which is used for the Vespers of Corpus Christi, and which is also sung during the veneration of the Blessed Sacrament.[4] The mass is one of only four that Josquin based on plainsong, and the last (the others are the Missa Gaudeamus, a relatively early work, the Missa Ave maris stella, and the Missa de Beata Virgine; all of them involve, in some way, praise of the Virgin Mary).[5] The hymn, in the Phrygian mode, is in six phrases, of 10, 10 ... 2010年07月05日再生回数 35842
	Milton Babbitt: String Quartet no. 2 [w/ score]  Babbitt's 2nd quartet (composed in 1952), with the score. Performed by the Composers Quartet. 2010年08月24日再生回数 8988
	Mauricio Kagel: An Tasten [w/ score] (1/2)  Kagel's piano etude "An Tasten" (1977), with the score, performed excellently by Bruno Canino. The work is a study in mostly major, minor, diminished and augmented chords in root position and their inversions, and is also a kind of parody of the musician practicing his/her instrument. 2010年10月30日再生回数 3982
	Ferneyhough: Adagissimo for String Quartet (1983) [w/ score]  The composer writes: "The work employs complex prolational techniques on several levels. The processural strata are also distinguished in timbre and texture. The ensemble is clearly divided into two groups, with the two violins playing rapid, florid gestures, and the viola and cello playing more melodically linear material." He also gives the following performance notes: "Violins: Play senza vibrato throughout. Play with sudden sharp movements and exaggerate the fine gradations of timbre. Emphasise the extremes of dynamic and phrasing. "Viola and Cello: Vary the degree of vibrato according to the phrasing. Produce a warm, dark timbre and avoid open strings. If a pitch is repeated after only a few intervening notes or after a rest, select a different string where possible for the repetition. "Dynamic levels: The violins should adjust their level to that of the lower instruments. Aim at equality between the two groups whilst accepting moments of textural imbalance." The excellent performance here is, of course, by the Arditti Quartet. 2010年03月23日再生回数 6048
	Bussotti: La Passion Selon Sade [excerpt w/ score]  Excerpt of Sylvano Bussotti's Passion Selon Sade (1964) with the score. If anyone would like a copy of the full score, drop me a personal message. Bussotti's "opera" Passion, according to Sade was presented in Sweden in 1968. Without a plot and without characterization in the usual sense, it is in the tradition of the theater of the absurd. When the curtain opens, a piano, a harp, an electric organ and a harpsichord are seen, along with a clothes rack on which there are numerous costumes. The performers change costumes from time to time, while projections are shown on the back wall of the stage, and tapes of distorted words and music are played. Here, too, every performance is different. Success depends on the ability of the performers to improvise and on the empathy of the audience. Passion, according to Sade piqued Bussotti's interest in theater, which came increasingly to occupy his imagination in the 1970s. 2010年07月09日再生回数 5713